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13 Norham Gardens, “The Open Arms.” ca. 1910

December 21, 2015 Circulating Now Leave a comment

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For #TinyTuesday, we're featuring a #14thCentury treatise on equine veterinary medicine that just came back from the conservation lab with a brand new box, complete with a custom size compartment inside. With the added boost in height, the #EarlyManuscript will stand taller next to the other books on the shelf and avoid getting lost in the crowd.

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For #FilmFriday, we are featuring a clip from a very rare fragment of the silent film, Plastic Reconstruction of Face, produced in 1918 that shows the sculpting work of Anna Coleman Ladd and Francis Derwent Wood at the Studio for Portrait Masks. The footage reveals the earnest work of the sculptors who specialized in creating masks for World War I soldiers with facial injuries. Trench warfare produces many of these debilitating and demoralizing injuries. Soldiers injured this way often underwent multiple surgeries, but contemporary plastic surgery techniques were limited. Ladd started with plaster cast and then made a copper mask to cover just the injured area. She used fine metal threads for eyelashes and painted the masks to match the skin tone.

This week, the Circulating Now blog looks at the film "A Question of Justice," documenting the work of female attorneys and activists from 38 nations who, in 1975, attended the first Inter-Hemispheric Conference on Law, Population, and the Status of Women.

The 1964 film It Takes Your Breath Away is a graphic and persuasive portrait of the dangers of pollution. Its creator was Mary Catterall (Image 2), a physician and activist living in Leeds, England who worked to educate those in medicine, industry, and government about the deleterious effects of mining and air pollution on human health. Said Dr. Catterall, “I attacked the urban pollution, particularly of Leeds, with my usual frontal assault—I talked graphically and frequently to doctors, city councilors, trade unions, to administrators, anyone who would listen, and to those who would have preferred not to.”

We're adding a bit of a twist to #TongueTuesday by sharing an anatomical drawing from NLM's copy of Lambert von Heerenberg's Copulata super tres libros Aristotelis De anima iuxta doctrinam Thomae de Aquino (Cologne, 1485). Illustrated by a student in red and brown ink, the drawing shows a tonsured monk surrounded by swirling banners that describe the actions of the soul in the body and pointers to the organs of the five senses.

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